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These are the kinds of sounds he has been searching for whilst scoring those elusive sounds where the director asks for movement and drive, both subtle and massive.Since the 1990’s Horror Rap has been circulating in the bedrooms of weird adolescent teens around the globe. What does that mean exactly? Polyconvolution as a synthesizer? Well, it means instead of using convolution for reverb or modeling an amplifier's distortion circuit, why not make a “reverb” impulse response tonal?Ĭombining something rhythmic with something tonal (as an impulse response) yielded some of the most modern, liquid and percolating ambiences and textures BT had ever heard. BT came up with this idea many years ago doing sound design. One of Mars’ moons? A synthesizer? A tool for creating massive cinematic and electronic rhythms? An engine for endless spectral combinations of wide, lush pads and ambiences with propulsive rhythmic figures? Is it a sound library of bespoke percussion, beats, micro rhythms, field recordings, live acoustic and orchestral treatments, textures and a massive vintage synthesizer collection? That is just scratching the surface.Īt its core, Phobos is a synthesizer based on the unexplored precept of polyconvolution as a synthesis engine.

Phobos allows for an all new real-time interface interaction that allows the user to evolve, warp and transform their molecular patterns according to nuanced changes within a scene. One of the greatest solutions Phobos provides is for composers wanting to engage their audiences in extended sequences and cues without things sounding repetitive or ‘loopy'. If you, like BT, are looking for a new wave of inspiration for evocative, emotional, expressive and original compositions, this is the well of endless inspiration you need.

This synthesizer, sound engine and bespoke library package represents years of diligent searching for new awe-inspiring sounds and sound design techniques. Most importantly, you can play them polyphonically. Together with Spitfire Audio, BT has combined over 20GB of his own personal bespoke libraries into a convolution synthesis engine that allows you to sculpt, filter, rhythmically cut and pulse impulse responses that are tonal, melodic and harmonic. Producer, composer, and artist, BT has done it all - from pioneering dance tracks and scoring The Fast and the Furious, to writing & producing for Sting, Peter Gabriel and David Bowie.